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The Polanski Tate Murders 1969


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#101 Marmoset

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Posted 20 May 2019 - 10:46 AM

A Short Krishna Venta Documentary

 


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#102 Marmoset

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Posted 21 May 2019 - 03:24 AM

Speculate

 

We can only speculate who briefed crooked presecutor Bugliosi , instructing him to adapt Krishna Venta's mad theory into a motive for Charles Manson. This sordid episode is proof that the banksters are in complete control of the goy sheeple.


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#103 Marmoset

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Posted 21 May 2019 - 11:13 PM

Susan Atkins

 

Susan Atkins ,one of the alleged killers acted as a topless vampire in a production of Jewish Satanist Anton Lavey. Lavey was a consultant for Polanski's movie Rosemary's Baby and apparently had a cameo role as the devil. Obviously the Jewish networks were active behind the scenes in helping to find patsies for Polanski and his hired killers. I obviously cannot post the topless photograph here.


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#104 Marmoset

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Posted 26 May 2019 - 03:21 AM

Susan Atkins

 

Susan Atkins at one point contracted gonorrhoea. She hardly had the fitness to make deep stab wounds through the rib cage with a bayonet.


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#105 Marmoset

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Posted 14 August 2019 - 01:23 AM

Absolution

 

The sacrament of baptism washes away Original Sin At confession a Catholic priest absolves the confessor's sins in exchange for a few Hail Mary's. 

In the case of Polanski the Jewish media has absolved him of the murder (possibly staged) of his pregnant wife, her lover and a couple of others. This absolution is total and complete. The sins have been transferred to the designated patsies. Quite an amazing demonstration of Jewish power.


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#106 Marmoset

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Posted 03 September 2019 - 10:49 PM

Censored

 

One of the videos I posted on this thread has already been removed. The videos in question detailed crucial evidence- Sharon Tate's affair in Rome with rising actor Christopher Jones while pregnant with Polanski's (?) child.


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#107 Marmoset

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Posted 06 September 2019 - 09:42 AM

The Past

 

The removal of the Christopher Jones video is an illustration of how the Bankster controlled state alters the past to suit it's own objectives, it's own style.

 

From Orwell's 1984:

 

 

"Who controls the past controls the future: who controls the present controls the past," repeated Winston obediently.

"Who controls the present controls the past," said O'Brien, nodding his head with slow approval. "Is it your opinion, Winston, that the past has real existence?" (3.2.39-40)


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#108 Marmoset

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Posted 06 September 2019 - 09:54 AM

The Past

 

What happened in the unseen labyrinth to which the pneumatic tubes led, he did not know in detail, but he did know in general terms. As soon as all the corrections which happened to be necessary in any particular number of ‘The Times’ had been assembled and collated, that number would be reprinted, the original copy destroyed, and the corrected copy placed on the files in its stead. This process of continuous alteration was applied not only to newspapers, but to books, periodicals, pamphlets, posters, leaflets, films, sound-tracks, cartoons, photographs — to every kind of literature or documentation which might conceivably hold any political or ideological significance. Day by day and almost minute by minute the past was brought up to date.


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#109 Marmoset

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Posted 16 December 2019 - 09:58 PM

Curtain

 

In a period of two years or less Organised Jewry has drawn a curtain between us and portions of the past they don't want on record. Very humbling. A reminder that we the goy are nothing but domestic animals.


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#110 Marmoset

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Posted 26 December 2019 - 10:56 PM

Dr Sloan's descendants

 

I wonder if Dr Sloan has descendants. Did he confide with them ? Do they harbor suspicions or have they been brainwashed like everyone else ?


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#111 Marmoset

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Posted 27 December 2019 - 01:38 AM

Goodbye Helter Skelter

 

An interview with the author. No mention of Polanski.

 


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#112 Marmoset

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Posted 13 January 2020 - 05:41 AM

Only the good die young

 

Bob Evans of Paramount descended into hell last October. He undoubtedly used his mafia connections to arrange the murders:

 

As the head of production at Paramount Pictures, and then as an independent producer, Robert Evans oversaw some of the greatest films of the 1960s and 70s, including The Godfather, Chinatown and Rosemary’s Baby. But he was almost as famous for a private life, which epitomised the sleazier side of Hollywood glamour. By the time of his death on 26 October at the age of 89, he had been married seven times, been convicted of cocaine-trafficking, and had inspired numerous fictional wheeler-dealers, including Saul Goodman in Breaking Bad and Better Call Saul. His personal and professional lives came together in The Kid Stays in the Picture (2002), a documentary adapted from his wry tell-all memoir. It was one of the most entertaining of all the films to benefit from his contributions. (NB)


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